Having established herself at the BBC with the police procedural “Happy Valley” and the crossdressing costume drama “Gentleman Jack,” screenwriter-turned-showrunner Sally Wainwright has followed countless creatives and taken the Disney shilling to initiate her latest project. You can hardly blame her, given the reduced offer the cash-strapped British broadcaster is now extending even to its more illustrious dramaturges: rarely more than three episodes per series and four characters per scene. Imposed by post-Brexit belt-tightening, this sorry set of limitations has exasperated those obliged to work within them while dispiriting viewers, left watching the life — and the talent — drain from primetime broadcasts.
Mashing up historical and fantastical
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