Connecting an actor’s onscreen personality with his or her offscreen reality tends to be a dicey proposition. But in “Faye,” an addictive and essential portrait of Faye Dunaway, it turns out...
The James Bond jetpack sequence in “Thunderball” (1965) was a cheesy-awesome thing that was like, “Whoa! The future will be jetpacks!” “My Spy: The Eternal City” opens like a Bond film,...
Norman Mailer is the kind of writer people now tend to look at and appraise by saying, “He could never get away with that today.” And maybe that’s true. In Mailer’s...
I was late catching up to Jeff Nichols’ “The Bikeriders,” and though the film has gotten some good reviews, like Peter Debruge’s rave in Variety, it’s fair to say that the collective...
The title of “Sorry/Not Sorry,” a documentary about the Louis C.K. scandal, makes the film sound like a hot-button exposé with the potential to be as controversial as the case itself....
Nostalgia, when it comes to reviving an old movie series, can be axiomatic. Every so often you see a genuine great piece of nostalgia — like “Creed” or the 2009 “Star...
It’s an old saw in Hollywood that you shouldn’t put your own money into a movie. But I’ve always had a powerful respect for anyone who does. Clearly, it’s a sign...
I hate to be the bringer of bad news, but Donald Trump didn’t just give a better performance than Joe Biden during the first 2024 presidential debate. In terms of authority...