Owen Gleiberman

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‘Michael’ May Be ‘Family-Friendly,’ but It’s a Movie That Taps Into Michael Jackson’s Most Powerful Creative Fuel — His Anger

The media has done a good job of talking about what’s not in “Michael.” I refer, of course, to the accusations of child sexual abuse that dogged Michael Jackson from 1993...

‘Deep Water’ Review: Renny Harlin’s Double-Dip Disaster Movie — Plane Crash + Shark Thriller — Has His Signature Schlock Touch

When a once-successful director finds himself stranded in a wilderness of misguided projects and indifferent audience response, he may try to reignite inspiration by going back to the ingredients of an...

‘Everyone Is Lying to You for Money’ Review: Ben McKenzie’s Knife-Sharp Documentary Takedown of Cryptocurrency

I’ll read a news story about more or less anything, but I glaze over at the prospect of consuming any article about cryptocurrency. That’s because even when I do read one,...

‘Thrash’ Review: It’s Netflix and Chomp, as Phoebe Dynevor Stars in a Familiar but Gruesomely Competent Shark Thriller

“Thrash,” like just about every shark thriller, has a grade-Z son-of-“Jaws” quality. (The one exception: the ingenious “Open Water.”) Everything in the movie, from the chomping shark attacks that splash up...

‘Faces of Death’ Review: A ’70s-Style B-Horror Movie Taps into the Growing Appetite for Horror That’s ‘Real’

In the 1970s, when horror movies started to get more and more extreme, it wasn’t just the blood and the savagery that increased. So did the sensation that you were seeing...

‘Dog Day Afternoon’ Broadway Review: Jon Bernthal Takes the Al Pacino Role in a Canny Piece of Stagecraft That Can’t Rival the Movie’s Haunting...

Why turn “Dog Day Afternoon,” one of the greatest and most iconic of New Hollywood movies, into a Broadway play? It’s not the first legendary film of the ’70s to get...

‘The Last Critic’ Review: A Captivating Portrait of Robert Christgau, the Brilliant Mad Professor of Rock Critics, and How He Made the Grade

As a critic, I should probably take offense at the title of “The Last Critic.” The movie is a captivating portrait of Robert Christgau, the legendary music writer who was one...

‘The AI Doc: Or How I Became an Apocaloptimist’ Review: A Scary, Dizzying and Essential Deep Dive into the AI Revolution

“The AI Doc: Or How I Became an Apocaloptimist” is a scary, dizzying and essential documentary. If you have any interest in artificial intelligence (which is to say: the future), you...

Owen Gleiberman

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