Owen Gleiberman

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‘You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution…’ Review: An Exuberant and Essential Doc for Comedy Heads

The comedy revolution referred to by the title of Nick Davis’s sharp and effusive documentary “You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution…” is the one...

‘Eternity’ Review: Miles Teller and Elizabeth Olsen in an Afterlife Rom-Com That Charms and Then Overstays Its Welcome

Afterlife movies tend to be amiable in a goofy way, one that ends up tamping down the stakes. Once you’ve arrived in the afterlife, you aren’t going anywhere, and you’re not...

‘Nuremberg’ Review’: Russell Crowe Plays Nazi War Criminal Hermann Göring in an Old-School Oscar-Bait Movie

In “Nuremberg,” Russell Crowe, portly and imposing, with slicked-back hair, a head that seems to melt into his body, and a low-voiced German accent that expresses implacable self-satisfaction, plays Hermann Göring,...

‘Wake Up Dead Man: A Knives Out Mystery’ Review: Set in a Church Parish, and Pairing Daniel Craig and Josh O’Connor, the Third...

“Wake Up Dead Man: A Knives Out Mystery” is an enticingly clever and droll, nearly pitch-perfect piece of murder-mystery fun — a whodunit that lives up to the expectations set six...

‘Christy’ Review: Sydney Sweeney Transforms — and Stuns — in a True-Life Boxing Drama as Powerfully Downbeat as It Is Rousing

When you hear the words “boxing movie,” your first thought may be of something punchy and upbeat. On second thought, however, it’s startling to consider how much pain is built into...

‘The Smashing Machine’ Review: Dwayne Johnson Is a Revelation in Benny Safdie’s Laceratingly Humane Sports Biopic

In the opening scene of “The Smashing Machine,” Benny Safdie’s bracing, clear-eyed, and laceratingly humane sports biopic, we see grainy staged video footage of Mark Kerr (Dwayne Johnson), the mixed martial...

‘Late Fame’ Review: Willem Dafoe Is a Lost Poet Who Gets Rediscovered in Kent Jones’s Enchanting Drama of Bohemia Then and Now

In Kent Jones’s lyrical and enchanting “Late Fame,” Willem Dafoe plays a forgotten New York poet who once had a moment. It was 1979, and Dafoe’s character, Ed Saxberger, was part...

‘La Grazia’ Review: Paolo Sorrentino Opens the Venice Film Festival With a Presidential Drama More Understated Than Usual for Him, and Better For It

The movies of Paolo Sorrentino, like “The Great Beauty” and “The Hand of God,” have always been bursting with color and movement and emotional energy, with torn-up romantic and family passion,...

Owen Gleiberman

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