Oh, Mary, what has Broadway become?
You might think playful outrageousness is now the norm with this month’s wave of musical openings that take audiences into the extreme realms of parody, play and interactivity.
The opening of the cult hit “Titaníque”— the musical spoof of the 1997 Oscar-winning smash “Titanic” — is the latest theatrical evidence that one can be stupid and smart at the same time.
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Originating in L.A. in 2017, before docking in NYC in 2022 in the basement of an abandoned Gristedes, the show which was developed by a bunch of inspired and nutty pals, quickly found its
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