Remember Quibi? The short-lived streaming service-turned-punchline, which vastly overestimated how many people felt compelled to watch bite-sized shows and movies on their phones, seems to have done one thing right before being folded into the Roku Channel: allowing creators to retain ownership of their work after a two-year exclusivity window. Not content to let her 13-part thriller series “The Stranger” disappear along with the platform on which it debuted, “The Killing” creator Veena Sud recut the project into a feature film alongside editor Philip Fowler. Gone are the 8-minute episodes named after the hour in which they take place (beginning with 7 p.m. and ending at 7 a.m.), replaced
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