The catchy premise motoring “Sender,” a story about a harried woman who moves into a rental home and quickly becomes inundated with packages she didn’t order, transforms beyond its simple, straightforward hook. Writer-director Russell Goldman re-fashions the puzzle box constraints of his short “Return to Sender” into an intricately-faceted feature, making way for a deep character study to emerge, crawling under our skin to truly unnerve in its damning examination of how commercialism is insidiously interwoven into our daily lives. Boldly off-kilter, brilliant and bizarre, its dark humor and taut psychological horror are laced together in a delightfully heady blend.
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