Quentin Tarantino is wrong about Paul Dano, but everyone is already telling him that.
For more than two decades, Dano has shaped one of the most quietly radical careers in American cinema. The 40-year-old actor first drew serious attention as a teenager in “L.I.E.” (2001), but it was “Little Miss Sunshine” (2006) that revealed the breadth of his gifts. He’s a performer capable of disappearing into a role, and dissolving into it entirely. Since then, he has built a body of work defined by characters who tremble at the edges of themselves.
Dano’s gift is
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