Mitski is such a cerebral record-maker that I didn’t expect to be coming away from her 2024 shows making proclamations that I might have just seen the best-choreographed tour of the year. But it’s true: Her run of three shows at L.A.’s Shine Auditorium was the kind of unexpected, advanced study in movement that couldn’t possibly be guessed just from listening to her records — the latest and best of which was last year’s pretty heady “The Land Is Inhospitable and So Are We.”
Just to be clear, invoking choreography here doesn’t mean Mitski brought along a herd of backup hoofers, which would be unbecoming for an erstwhile indie-rocker,
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