When Kristen Stewart’s acclaimed feature directorial debut, “The Chronology of Water,” was acquired for domestic distribution by the Forge a few months after its Cannes premiere in May, one question crossed the minds of many people in the industry: What the hell is the Forge?
“After COVID started, it gave me an opportunity to think, as a film producer, about what sales entity I would want to work with, to have a vehicle to release films that we were intending to produce,” says founder Mark Mathias Sayre. “We had some early success, and a couple of contemporaries asked if we would handle their sales or distribution. Fast forward a
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