At the International Film Festival of India, Oscar-winning special effects supervisor Chris Corbould pulled back the curtain on four decades of big-screen engineering — from tank chases and truck flips to collapsing houses and controlled explosions — insisting that the emotional power of spectacle still hinges on what can be achieved physically, not digitally.
Speaking at a masterclass moderated by Variety’s Naman Ramachandran, Corbould revisited his work on the James Bond and Christopher Nolan films and stressed that his guiding rule remains unchanged: do as much as possible in camera, and let technology support the story rather than overwhelm it.
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