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Sufjan Stevens’s indie folk concept album “Illinois” (2005) is whimsical, earnest, and sorrowful; it weaves together events and figures from Illinois history (including UFO sightings, Pullman cars, the World’s Fair of 1893, and the Lincoln/Douglas debates) with Biblical allusions and feelings of shame and loss. This multifaceted mix, often stirring and fascinating to listen to, is not an inherently logical choice for a narrative work of art — and yet, Justin Peck has devised, directed, and choreographed a 90-minute dance theater piece based on it, one that will indelibly be remembered as one of the most singular productions in recent Broadway
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