The Netflix crime thriller “Night Always Comes” was always going to be set in Portland, Ore., like the Willy Vlautin novel from which it was adapted. But it wasn’t necessarily going to shoot there.
“A lot of the early discussions are like, ‘Where’s the biggest bang for the buck?’ And Canada came up a lot,” admits the film’s executive producer Chris Stinson (“The Holdovers,” “Sound of Metal”). “In the northwest … they’re constantly contending with ‘let’s just go to Vancouver,’ and a lot of times they do go to Vancouver,” where they can take advantage of experienced crews, a favorable exchange rate and a healthy production incentive.
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