While beginning the pre-production process for Guillermo del Toro’s “Frankenstein,” production designer Tamara Deverell began her research by going to museums to create the look of 1850s Edinburgh.
“One of the first opportunities I had to spend time with Guillermo was when we were scouting. One of the first things we did was go to museums,” said Deverell in a conversation moderated by Variety in partnership with Netflix. “We went to the Ontarian, where the real Evelyn tables are, because we had to do our own version of them. We saw the equipment and the tools of the trade of the scientists and doctors of that period.”
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