Watching “Giant,” opening March 23 on Broadway after a much-hailed run on London’s West End, one is left with little wonder how its protagonist, Roald Dahl, achieved such success as a writer for children. The child within him is ever-present — in control of what is perhaps only technically an adult man.
As played by John Lithgow, Dahl is an intimidating physical presence, and, as if on the playground, uses this looming quality, along with a facility for language, to intimidate anyone around him. He’s being questioned, over a turbulent afternoon, about a book review he wrote about an account of Israel’s 1982 invasion of Lebanon; his language, conflating
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