Fashions come and go, but Estonia is still betting on puppet and stop-motion animation.
“It may not be mainstream anymore, but Estonian stop-motion is still thriving, with many directors choosing it as their main style. It’s taught in the Estonian Academy of Arts on a very high level, so future generations could also fall in love with the technique and preserve it in their art,” says Rebel Frame producer Kadriann Kibus.
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The studio – alongside with the Academy – recently celebrated Natalia Mirzoyan’s win at Cannes’ La Cinef for “Winter in March.”
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