‘Don’t Let’s Go to the Dogs Tonight’ Review: Embeth Davidtz Captures a Changing Africa Through a Child’s Eyes

The title’s a problem, but it would be a crying shame to let that discourage you from seeing “Don’t Let’s Go to the Dogs Tonight,” which is precisely the sort of intelligent, human-scale adult drama audiences insist no one makes anymore.

Like Claire Denis’ Africa-set “Chocolat,” with Rhodesia (now Zimbabwe) taking the place of Cameroon, the film depicts the collapse of European colonial control from the white settlers’ perspective. For attempting such a tricky project as her directorial debut, enormous respect is due Embeth Davidtz, a versatile actor who moved us as Helen Hirsch in “Schindler’s List,” but never again had such an important role … until now.

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