40 years from now, in 2075, extreme climate events will have forced humanity to live, at least partially, inside protective domes. Most jobs will have been outsourced to robots, everything from road work to the police. And even professions where the human touch was once thought essential, like teaching and childcare, will then be performed by humanoid machines. At least that’s how French director Ugo Bienvenu envisions it in his debut feature “Arco,” which is currently nominated for the best animated feature Oscar.
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Despite such gloomy forecast, “Arco,” an incisive and wondrous sci-fi adventure about two children from two different periods, is
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