In A Violent Nature. Image: Sundance Institute
AI is the buzzword of the moment, and nowhere seems to be safe — even film festivals. This year’s edition of Sundance was a prime example. Multiple documentaries about the past and present of artificial intelligence made an appearance, and at least one film — the dark comedy Little Death — utilized generative AI as an artistic choice. There was even Love Me, a post-apocalyptic romantic comedy about two AIs in love.
Outside of AI, there was the usual crop of inventive horror movies, a coming-of-age story set during the good ol’ days of AIM, and a heartbreaking documentary that was set partially inside
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