Siddhant Adlakha

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‘Straight Circle’ Review: A Border Satire That Transcends Its Flaws Through Abstraction

Right from its title, Oscar Hudson’s droll debut “Straight Circle” evokes paradoxical oddities, which the writer-director layers atop his deadpan satire on nationalism and geographical boundaries. A tale of two enemy...

‘Taghiyev: Oil’ Review: Azerbaijan’s Oscar Hopeful is the First Act of a Larger Biopic

Zaur Gasimli’s “Taghiyev: Oil” is the first film in a potential tetralogy, so it should come as no surprise that it plays like an extended first act. Azerbaijan’s 2026 Oscar entry,...

‘Black Rabbit, White Rabbit’ Review: Disqualified for the Oscars, Tajikistan Drama Is an Inviting, Meandering Meta-Narrative

Selected by Tajikistan but ultimately not accepted by the Academy to compete in the Oscar international feature category, “Black Rabbit, White Rabbit” begins ambitiously, with a famous quote from playwright Anton...

‘100 Nights of Hero’ Review: A Mischievous Fairytale Laid Low by Its Withheld Approach

Resplendent in costume and production design, but shaky in overall execution, the star-studded fantasy romance “100 Nights of Hero” is the second feature from writer-director Julia Jackman. Based on the graphic...

Siddhant Adlakha

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