As South African film and TV industry workers continued to grapple with the fallout from Canal+’s abrupt decision to shutter homegrown streaming service Showmax this week, one question seemed to be...
Since arriving on the world cinema stage with the deeply personal docudrama “Bye Bye Africa” (1999), Chadian auteur Mahamat-Saleh Haroun has been at the forefront of a generation of filmmakers who...
It’s a strange but perhaps fitting paradox of these uncertain times that while African cinema is enjoying greater visibility than ever before, the market for that output could very well be...
