Murtada Elfadl

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‘Mariinka’ Review: A Haunting Chronicle of Young Lives Shattered by the War in Ukraine

In “Mariinka,” Belgian filmmaker Pieter-Jan De Pue tells another story of the war in Ukraine — this time through the perspective of five young people. All of them were at a...

‘Gugu’s World’ Review: A Radiant Queer Coming-of-Age Charmer From Brazil

The Brazilian film “Gugu’s World” starts quite literally true to its title by showing the audience its lead character’s room, full of everything he loves. Director Allan Deberton crams much story...

‘Soumsoum, the Night of the Stars’ Review: Mahamat-Saleh Haroun’s Latest Is a Desert Parable That Loses Its Way

Chadian director Mahamat-Saleh Haroun sets his latest film, “Soumsoum, the Night of the Stars,” in the Ennedi desert of his native country. Following Kellou, a young woman who sees distressing visions...

‘Closure’ Review: In This Sundance Stunner, a Missing Person Mystery Becomes a Devastating Study of Love and Loss

Filmmaker Michał Marczak carves out a unique space for his documentary “Closure” within the non-fiction world. The film is set up as a moody mystery about a teenager who disappears one...

‘Barbara Forever’ Review: Filmmaker Brydie O’Connor Channels the Radical Queer Spirit of Barbara Hammer

Filmmaker Brydie O’Connor gives herself a rather difficult task with “Barbara Forever.” She sets out to document the life and career of iconic lesbian filmmaker Barbara Hammer in the same medium...

‘Hot Water’ Review: The American Road Movie Tradition Gets a Cross-Cultural Twist

Layal (Lubna Azabal) seems to be on the brink of a nervous breakdown. A college professor of Arabic who just quit smoking, she has no patience, her students’ incompetence infuriates her,...

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