Joe Leydon

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‘Raging Grace’ Review: SXSW Winner Is a First-Rate Suspenser with a Sociopolitical Soul

Winner of SXSW’s narrative grand jury award, “Raging Grace” deserves ample credit both for what it is and what it is not. But it’s difficult to be much more detailed in...

‘Linoleum’ Review: The Final Twist Justifies Almost Everything That Distracts or Impedes This Hard-to-Describe Drama

“Linoleum” starts out as one kind of movie, drops teasing hints that it might be another type of film and ultimately plot-twists into, well, something else. All of which makes it...

‘Seriously Red’ Review: Krew Boylan Gives a Star-Making Turn as a Woman Who Finds Herself While Impersonating Dolly Parton

A spiritual kissing cousin of such compellingly campy ’90s Aussie-produced extravaganzas as “Strictly Ballroom” and “Muriel’s Wedding,” director Gracie Otto’s “Seriously Red” disarms and delights as a sensationally spirited concoction that...

‘Maybe I Do’ Review: Diane Keaton, Richard Gere and Company Enliven an Uneven Romantic Comedy

Even if you walked into “Maybe I Do” knowing nothing about its pre-production provenance, it likely would not take long for you to discern, from the clockwork pacing, punchline-littered dialogue and...

Joe Leydon

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