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‘3 Body Problem’ Production Designer on Building Ancient Mongolia, a Medieval Cathedral and VR Headsets

“3 Body Problem” production designer Deborah Riley is no stranger to creating epic environments — she won four consecutive Emmys for her work on “Game of Thrones.” Netflix’s new series reunites...

‘Flower Moon,’ ‘Barbie,’ ‘Succession’ Among Casting Society Artios Award Winners

“Killers of the Flower Moon,” “Barbie” and “The Holdovers” were among the film winners at the 39th annual Casting Society Artios Awards. The ceremony honors top casting in the year’s films, TV and...

Riding the Sandworms: ‘Dune 2’ Action Scenes Took 44 Days to Shoot and Used Road Runner Cartoons for Inspiration

“Desert power.” That’s how Denis Villeneuve teases what’s to come at the end of 2021’s “Dune,” as Timothée Chalamet’s Paul Atriedes looks out across the desert in awe as he sees...

‘Oppenheimer’: Hoyte Van Hoytema Wins Top Honors at American Society of Cinematographers Awards

Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for...

‘Oppenheimer,’ ‘The Holdovers’ Win Top Honors for Editing at ACE Eddie Awards

Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th ACE Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s...

‘Dune 2’: How Artisans Pulled off Shooting the Arena Fight Scene With Infrared Technology

It took a village of Denis Villeneuve‘s most trusted artisans to pull off “Dune: Part Two’s” epic Harkonnen arena fight scene. As epic as its predecessor, Villeneuve’s sequel raises the...

How ‘Shōgun’ Transformed Vancouver Soundstages and Backlots Into Feudal Japan

It might seem hard to believe after viewing the series, but “Shōgun” production designer Helen Jarvis had never been to Japan, had never read James Clavell’s nearly 1,200-page novel and she...

How ‘Barbie’s’ Existential Crisis Is Reflected by Deflating Her Hair and Changing Her Silhouette

In Greta Gerwig’s “Barbie,” Margot Robbie’s Stereotypical Barbie’s perfectly pink world is rocked to the core when she has an existential crisis during a dance party. What follows is a sequence...

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