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‘Phenomena’ Review: An Iridescent Ode to Ordinary Wonders

Josef Gatti tells us little that we don’t already know in “Phenomena,” and that’s pretty much the point. In his first feature-length documentary, the Australian takes a seductive, hyper-sensory approach to...

‘Pizza Movie’ Review: Gaten Matarazzo Goes from Stranger to Sillier Things in a Goofy Bad-Trip Comedy

If your first thought on encountering a film called “Pizza Movie” is that it’s kind of a dumb title, don’t worry: Brian McElhaney and Nick Kocher‘s antic, frantic comedy is way...

‘A Child of My Own’ Review: Stylized Drama and Documentary Scrap Over the Truth In an Unhappy Maternity Tale

Following an awkward transition into narrative filmmaking with 2024’s fact-inspired but melodrama-leaning “In Her Place,” “A Child of My Own” sees Chilean director Maite Alberdi returning to documentary cinema — albeit...

‘Forest High’ Review: Three Women Escape the Noise in a Beguiling Mountain Retreat of a Movie

There are no luxuries and only the most essential comforts on offer at the remote Alpine refuge where “Forest High” is set: Hot water runs just a couple of hours a...

Wim Wenders Speaks Out at Berlin Film Festival Awards Ceremony: ‘Cinema Is More Resistant to Oblivion Than the Internet’

Before commencing the presentation of the Competition prizes, Berlin Film Festival jury president Wim Wenders began proceedings with a prepared statement, responding to the controversy that has blighted the festival since...

Berlin Film Festival Awards: Sandra Hüller Wins Best Lead Performance for ‘Rose’ (Updating Live)

In the end, political cinema won out. At the closing ceremony of a Berlin Film Festival blighted by controversy and discourse over the political responsibilities or otherwise of art, German-Turkish filmmaker...

‘At the Sea’ Review: Amy Adams’ Commitment Can’t Save a Recovery Drama as Immediately Forgettable as Its Title

Drop the definite article and you have a more apt title for “At the Sea,” a drab and laborious recovery drama with a mystifying amount of major-league talent behind it. The...

‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege

While jumping through the hoops of her first U.S. awards season two years ago for “Anatomy of a Fall” and “The Zone of Interest,” it must have amused Sandra Hüller to...

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