Gordon Cox

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‘Real Women Have Curves’ Review: Broadway Musical Celebrates a Vibrant Community of Women With Joy and Heart

The Latina seamstresses at a dressmaking workshop in East L.A. express their credo at the top of the new musical “Real Women Have Curves.” With the pulsating song “Make It Work”...

‘Just in Time’ Review: Jonathan Groff Plays Bobby Darin in a Lackluster Bio-Jukebox on Broadway

It might be time to call it quits on biographical jukebox musicals. “Jersey Boys” ignited a trend, but its many spawn have been mostly ill-conceived. Recently we’ve had “Summer: The Donna...

‘Pirates! The Penzance Musical’ Review: David Hyde Pierce and Jinkx Monsoon Lead a Rollicking, Riotous Reimagination of Gilbert and Sullivan on Broadway

What ever happened to Gilbert and Sullivan? Once theatrical icons, Gilbert and Sullivan — co-creators of famed comic operettas including “H.M.S. Pinafore” and “The Mikado” — have taken a noticeable dip...

‘Floyd Collins’ Review: Jeremy Jordan and a Stellar Score Shine in a Shadowy Broadway Musical

Spelunking is not exactly a go-to subject for a musical. Yet Adam Guettel and Tina Landau saw something in the true story of Floyd Collins, a cave explorer who famously got...

Why New Musicals Are Idina Menzel’s Proudest Accomplishments

Idina Menzel is back on Broadway in a new musical — and for the Tony-winning actor, now starring in “Redwood,” it’s exactly the kind of work she loves most. Listen to...

‘John Proctor Is the Villain’ Review: Broadway Play Is a Powerful, Pop-Inflected Retort to ‘The Crucible’

The first word spoken in “John Proctor Is the Villain” is “sex,” a portent of things to come. Mr. Smith (Gabriel Ebert), a high school English teacher, has been tasked with...

‘Smash’ Review: TV-to-Stage Metamusical is a Fizzy, Fun Comedy With a Few Surprises for Fans

On the surface, “Smash” is a new backstage musical about the making of the fictional Broadway musical “Bombshell: The Marilyn Monroe Story,” but for diehard fans of the cult-classic TV show...

‘Stephen Sondheim’s Old Friends’ Review: Not Just a Broadway Tribute but a Musical Feast

After three Broadway revues of Stephen Sondheim’s music you would think a fourth wouldn’t offer anything fresh, have any surprises, or be anything special. Think again. “Old Friends” began life...

Gordon Cox

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