Most biopics persuade you to empathize with the main character. But as actress-turned-writer/director Kristen Stewart explains, her screenplay adaptation of Lidia Yuknavitch’s memoir “The Chronology of Water” allows you to virtually become the protagonist.
“[Lidia] invites you to project yourself into her book,” she says. In a similar way, the film presents the thoughts of a woman (Imogen Poots) overcoming childhood abuse and adulthood addiction through sound design that places viewers inside her head. “Some of the emotional triggers are specific to her life, but I think they’re [also] invitations to remember your own. I wanted to make a movie that was not just about one person, but was
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