The film hilariously and diligently evokes 2020 but has learned nothing from it.
The film hilariously and diligently evokes 2020 but has learned nothing from it.
Kevin Nguyen is a features editor at The Verge, where he publishes award-winning stories about labor, business, and policing. Previously, he was a senior editor at GQ.
A24 is known for its prestige arthouse films, but in its early days as a distributor, it made most of its money from elevated horror films like Ari Aster’s Hereditary and Midsommar. Over a decade in, the ambitions of A24 and Aster have expanded beyond genre film. But for both, the more recent results have been mixed.
Eddington, Aster’s latest,
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