On any list of the most admired composers working in film today, Alexandre Desplat would be either at the top or very close to it. That’s not just for the quality of the work — although, as his list of 11 Oscar nominations and two wins would indicate, there is that — but the expanse of styles and sheer breadth of his filmography, whether he’s doing ear-ticklingly eccentric scores for smaller-scale pictures or satisfyingly symphonic ones for the blockbusters.
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The French scorer is about to undergo a Hollywood composer’s rite of passage, which some would say is overdue, conducting his first full
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