A single human voice singing, wordlessly, can evoke a sense of humanity — or inhumanity — depending on the behavior we witness on our screens.
This was the case in two much talked-about streaming series, accomplished in very different ways but with a similar goal in mind: the music of “Adolescence,” by Aaron May and David Ridley, and of “Monsters: The Lyle and Erik Menendez Story,” by the father-daughter team of Thomas and Julia Newman. Both aired on Netflix.
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For “Adolescence,” a four-hour story about a 13-year-old English boy charged with the murder of a female classmate, the documentary-style filming demanded
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